It all started with jewelry. I was crafting sparkly accessories to pair with some new dresses I absolutely adored. One afternoon in September 2024, while my husband and I were driving somewhere, I mused aloud, “I wish I could make browbands.” Dave, ever the optimist, simply replied, “Why can’t you?”
That was the spark. That moment grew into an office overflowing with tack, walls lined with crystals, and endless hours spent researching materials, manufacturers, and trends in the luxury tack industry. It was a journey I hadn’t anticipated but embraced wholeheartedly.
Dancing Like Nobody’s Watching
Someone recently asked me why I’m doing this. The best answer I could give was that it feels like dancing like nobody’s watching. There’s freedom in artistic expression—in pouring your heart into something and putting it out into the world. It might succeed, or it might not. You might face embarrassment, or you might not. But at the heart of it, your contribution adds a touch of beauty to the world, something someone else might need. And for me, that beauty takes the form of rhinestone bridles and browbands.
An Affinity for Rhinestone Bridles
When I was younger, every time a new horse entered my life, my favorite ritual was finding the perfect bridle. I’d spend hours flipping through catalogs, evaluating styles, and imagining how they’d look on the horse. This was long before the internet, so catalogs like Dover, Stateline Tack, and Dressage Extensions were my treasure troves. I had them memorized, page by page.
Despite the variety, most bridles back then lacked character. Crystals and rhinestones had yet to make their way into mainstream tack. Clinchers and chains were the extent of “bling,” and even those were more common in eventing than dressage. For dressage riders, bridles were—quite literally—black and white.
The first rhinestone bridle I remember seeing was an Otto Schumacher. It featured sleek black patent leather, plush white padding, and a delicate browband with dazzling white crystals. It was a revelation, a beacon of elegance in an otherwise stark world. That memory stayed with me.
The Return to Bling
For a time, I stepped away from tack. I worked with a natural horsewoman whose training methods emphasized the pure connection between horse and rider, unadorned by anything flashy. I learned invaluable lessons about reading and understanding horses, but eventually, the rhinestones called me back.
One of Einstein’s quotes hangs near my dad’s workshop: “Imagination is more important than knowledge.” My dad often added, “Why not both?” Tack-making embodies that sentiment. It requires knowledge—of materials, sizing, equine physiology, and design—but the creative possibilities are endless. That’s what excites me about this work.
Discovering Halter Ego
A month into making browbands, I discovered Halter Ego. Their products were stunning. I thought, “This is what I want to create,” but at a more accessible price point—perhaps half, or even a quarter of their cost.
Finding a great manufacturer is no small feat, but I was fortunate to connect with one early on. We’ve spent countless hours collaborating, and their support has been invaluable. Still, Halter Ego’s designs continued to inspire me. I asked myself: Would people prefer two or three rhinestone browbands for the price of one? I imagined riders swapping out browbands to match their pads and wraps, creating a cohesive, polished look. That’s where my vision took root.
The Birth of a Brand
When my first shipment of browbands and halters arrived, I scrutinized every stitch. To my surprise, the quality rivaled that of Halter Ego. I was thrilled. My little experiment was working, and my brand was officially born.
The bit in my brand comes from my soul horse’s hunter bridle. Envisioned was his name, and that KK D-ring Snaffle was the berries. So, why not use it since all of this is really about things I would have wanted for him?
Expanding to Rhinestone Bridles
Transitioning from browbands and halters to full bridles was a natural progression but required careful planning. Every detail—from stitching to crystal placement—had to contribute to a cohesive design.
As a child, I loved drawing horse portraits, and I still do on occasion. When I see a horse in one of my bridles, my mind immediately envisions a portrait—a celebration of their natural beauty, enhanced by the sparkle of rhinestones. Designing rhinestone bridles feels like an honor, a way to highlight the grace and elegance of these incredible animals.
Where It All Leads
Today, I’m surrounded by bridles, sticky notes, and sparkly creations, typing about my favorite subject: rhinestone bridles and browbands. Who would have thought a few dresses from Sundance would inspire this passion project?
To those who share my love of equestrian bling: I want to hear from you. What designs have you dreamed of but haven’t seen in the world? Let’s collaborate and bring those visions to life—for the horses.